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best lens for video sony

If you just want to cut to the chase, here are some quick recommendations. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.29 m. Filter … There is an easy on/off switch on the lens itself to control the SteadyShot image stabilization for faster operation. Cine lens: This type of lens is designed specifically to meet the needs of cinema production, including excellent image quality, optical abilities, heavy construction, and the ability to record continuous motion. No image stabilization The Sony FE 20mm F1.8 G is a large-aperture ultra-wide-angle prime lens meant for portraits, astrophotography, landscape and street photography, as well as video. Older A-mount lenses can also work on E-mount mirrorless cameras using a Sony adapter, but for the best performance and greatest compatibility on mirrorless bodies, I’d recommend using native E-mount lenses when possible. Here is a video filmed with the Sigma 17-50mm f/2.8 Lens: The Sigma 18-35mm is noted for its fast zoom, excellent image quality, and prime-level quality in the fastest zoom available for SLRs. Thanks! Here is a video filmed with the Sony 10-18mm Lens: The Rokinon FE14M-S 14mm F2.8 lens is an aspherical wide angle lens designed for full frame cameras, although it also works on APS-C sensors. The big trade-off with a wide aperture is you can’t focus on as many objects at different distances because the lens has a shallow depth of field. The lens-based optical image zoom uses built-in gyro sensors to detect even slight movement with quiet and effective stabilization for high-quality videos. Wide shooters are well-catered by the Sony FE 12-24mm f4G, Sony FE 12-24mm f2.8 GM, Sony FE 16-35mm f2.8 GM and the Sigma 14-24mm f2.8 Art DG DN, the latter offering particularly good value, although if you can sacrifice a little at the wide-end, the Tamron 17-28mm f2.8 Di III RXD is even cheaper and a perfect match for the Tamron 28-75mm f2.8; see my Tamron 17-28mm f2.8 Di III RXD review, Sigma 14-24mm f2.8 DG DN review, Sony FE 12-24mm f2.8 GM review and Sony FE 16-35mm f2.8 GM review for more details. So if you’re looking for a Sony lens, you’ve come to the right place! Most lens categories vary in focal length, or how close a subject appears in millimeters. See my Sony E 18-135mm review and Sony E 16-55mm f.8 review for more details. Sigma’s large-aperture standard zoom lens offers excellent performance, even in low light conditions, with a compact and lightweight design. Best Wide-Angle Prime Lens: Sigma 16mm f/1.4 DC DN. Best Vlogging Lens: Sony 10-18mm f/4 OSS. Control features of the lens directly with buttons and switches, including a focus hold button, focus mode switch, Optical SteadyShot switch, zoom lock switch, and focus range limiter. Here is a video filmed with the Rokinon 35mm T1.5 Lens: The Sony FE G Series Telephoto Lens is designed to offer superior telephoto zooming without sacrificing image quality. The human eye is equivalent to 30mm to 50mm, whereas a telephoto lens — which brings far away objects up close — may be up to 500m whereas a wide angle lens can be around 10mm. The Rokinson Cine lens is one of the most affordable professional cinematography lenses available at under $500 with reviews that favorably compare it to more expenses Zeiss lenses. Thanks! This lens shoots equally well in bright indoor settings as well as low-light outdoor environments with internal focusing that is quiet and smooth. Thanks! Sony has two lens systems, one designed for its E-mount mirrorless cameras and the other for its older A-mount DSLR and SLT cameras. Best Portrait Lens: Sony 50mm f/1.8 OSS. Telephoto lens: A telephoto lens has a long focal length with a narrow field of view to produce a magnified image. Check prices on the Sony E 18-135mm f3.5-5.6 at Amazon, B&H, Adorama, or Wex. Check prices on the Sony E 10-18mm f4 at Amazon, B&H, or Adorama, or Wex. Best Lenses for Sony a6400. Unlike standard aperture blades with flat sides that cause polygonal-shaped defocussed light points, this lens has a unique design to keep the aperture circular. Meanwhile for the big-budget pros out there the Sony FE 400mm f2.8 GM or Sony FE 600mm f4 GM will be tempting investments; see my Sony FE 400mm f2.8 GM review-so-far. All words, images, videos and layout, copyright 2005-2020 Gordon Laing. Thanks! Sigma also uses a Super Multi-Layer coating to cut back on ghosting and flare in videos. If you prefer shooting tighter portraits or from a little further away, the Sony FE 135mm f1.8 G Master is one of the sharpest lenses I’ve tested; check out my Sony FE 135mm f1.8 GM review for more details. The lens features two advanced aspherical elements and three extra-low dispersion glass elements. If you’re into vlogging or ultra-wide angle photography, the Sony E 10-18mm is a great choice, or perhaps the Sigma 16mm f1.4 DC DN if you’re fond of 24mm equivalent coverage with a bright aperture, and if you want to get close to distant subjects without breaking the bank, then the Sony E 55-210mm is a good option.

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